![]() ![]() You already paid for Imaging Edge when you bought your Sony camera, so it's effectively free. Of course, the most immediately obvious differences between ACR and Sony's Imaging Edge are their camera support and price tag. For Imaging Edge Desktop, which offers a choice of just four different compression levels, I used the maximum quality. Images processed in ACR were saved at JPEG quality 11, just as used in our galleries. Sharpness and noise reduction were left at their default settings to avoid overcomplicating things, while lens corrections were enabled for both applications. I've chosen images from the Sony A7 III (ILCE-7M3) for use in this comparison, as its been available for long enough for Adobe to fine-tune its rendering, while its price tag and resolution are broadly similar to those of the Canon EOS R and Nikon Z6 used in my previous manufacturer software comparisons. To ensure neither Adobe nor Sony had any advantage out of the gate, I've aimed to reproduce, as closely as possible, the look of already-processed images from our galleries, without any prior knowledge as to the recipes behind them.Īdobe Camera Raw version 13.0's user interface. My computer is a 2018 Dell laptop running Windows 10 version 1909. ![]() For Adobe, that's Camera Raw 13.0 and Bridge 11.0. This comparison is based upon the most recent versions of each application at the time of writing. *Sony does include a version of Capture One, called 'Express,' with camera purchases, which we'll investigate in a future article. ![]()
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